1. Media Projects

  2. THE INDEXICAL DANCE-A-THON!
  3. THE REHEARSAL
  4. GESTURE
  5. FLOOD
  6. deConstruction
  7. Chromatic Revelry
  8. quad/wrangle
  9. IcarusCar
  10. Ferry
  11. Improv
  12. Legoland
  13. image/Word.not_a_pipe=(Magritte)
  14. Portal: World of Awe
  15. Pothead
  16. Do Not Call it Fixity
  1. Curation

  2. Orange Magpies - Surrey UrbanScreen Proposal
  3. ContainR
  1. Documentaries

  2. Nutcracker Nation
  3. Dancing Las Vegas
  4. Limón: Moving into the Future
  5. American Aloha

    Contact Info

    Evann Siebens

    778.960.8240
    evann at evannsiebens dot com

    Bio

    Evann Siebens makes media with movement. She has exhibited her projects at galleries such as Eyebeam and Centre Pompidou, while her documentaries have been screened at MOMA and on PBS. A former dancer with the National Ballet of Canada and Bonn Ballet, Evann graduated from New York University. Now based in Vancouver, she has participated in residencies at the Banff Centre, UNIT/PITT and ACME with Keith Doyle. Evann recently won the ID/Identities Istanbul Best Video Prize, performed at the Western Front, and New Media Gallery, Vancouver. Recent exhibitions include MediaArtLab/Urban Screen, Russia, ISEA2015 Vancouver and Lincoln Centre Film Society, New York. Upcoming screenings include the FacadeFest on the exterior of the Vancouver Art Gallery. She is represented by Wil Aballe Art Projects in Vancouver.Curriculum Vitae

Orange Magpies - Surrey UrbanScreen Proposal

2017

Dancers moving through the landscape of Vancouver and the Lower Mainland. Bright, familiar locations inhabited by dancers in bright orange ‘electrician jumpsuits’ that use sharp, kinetic editing, match-on-action techniques and a driving visual beat to create a new, public media installation.

+++

I propose to edit a site-specific version of my film Orange you Glad or Orange Magpies for Surrey UrbanScreen. I’m presently working on this piece as commission from the Burrard Arts Foundation to project on the side of the Vancouver Art Gallery in September 2017 as part of the FacadeFest. In collaboration with performer/ choreographers James Gnam and Vanessa Goodman, I’ve shot the piece specifically to work in the public realm and to project onto the architecture of a public building.

On the surface is a bright and fast kinetic dance-film, using my background as a dancer and dance-filmmaker to shoot the dancers, as well as my sense of motion to re-choreograph the film through editing. The dancers, in their bright ‘everyperson’ orange jumpsuits, move through the familiar landscapes, almost on an alternative tour of Vancouver and its environs. Having shot at 15 locations in Vancouver, West Vancouver, North Vancouver and Burnaby, I propose to shoot several more locations in Surrey, Richmond and New Westminster in order to fully represent the Lower Mainland. (For example, I would really like to shoot the dancers in the Skate Park close to the UrbanScreen.) Yet there are layers under the surface. The term ‘Orange Magpies’ refers to the association with thieving that magpies hold in European folklore, such as ‘The Thieving Magpie’ by Rossini (also used in A Clockwork Orange by Kubrick) or Heckle and Jeckle from The Talking Magpies animations from the 1950s. The nest of a magpie is often described as a ‘bed of thievery.’ The film’s soundtrack is a remix of the original Radiohead song Morning Mr. Magpie by Modeselektor with lyrics that reference this history. I wanted the dancers to stand out from the landscape, in their bright, everyperson orange jumpsuits, to be outsiders. It was particularly important to me that the locations where the film was shot, like most of Greater Vancouver, are acknowledged as sites that are unceded and the traditional territories of the Coast Salish peoples – sḵwx̱wú7mesh (Squamish), sel̓íl̓witulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) nations.

Some Details

The film will be a single channel projected video, fully edited, and taking the architecture and shape of the building into consideration. Having seen many of the UrbanScreen projections over the years, I’m quite aware of the opportunities and limitations offered by the site. I’d like to play with the rounded edge of the building, as well as the cut-out windows. Possibly projecting some small dancers into the cut-out windows, but moving back and forth between full, large-scale screen, and multiple smaller screens. The site-specific nature of the edit would be tailored to the architecture.

The final video would be in the 10 – 12 minute range, which would then operate on a loop, or be repeated to encompass the whole evening of video. I would like to make sound available via the FM radio tune-in, but it would not be necessary to experience the visual splendor of the images and dance. It would merely add an extra layer. All sound would be cleared for rights.

The quality of the video was shot in 4K and so shot specifically to be projected in a large format environment. The raw 4K video I have is at 4096×2160 and so I would tailor this to exactly meet the Urban Screens 3600 × 1080 (or 1920 × 576 if necessary).

As a local, Vancouver based artist, and a fan of the Surrey Art Gallery and Tech Lab, I would look forward to working with the Urban Screen Team in person and creating a unique project together.

Collaborators

JAMES GNAM

http://www.plasticorchidfactory.com/

artistic director, choreographer, collaborator & performer // James Gnam is a dance artist based in Vancouver and Montreal. He is the artistic director of plastic orchid factory, a founding member of Left of Main as well as an associate artist with MAYDAY and Grand Poney. He trained at the National Ballet School of Canada and from 1998 to the present, has performed in the works of Crystal Pite, Twyla Tharp, Mark Morris, Jiri Kylian, Barak Marshall and collaborated in the creation of new work with Lee Su-Feh, Jacques Poulin-Denis, Melanie Demers, Vanessa Goodman, Peter Bingham and Tedd Robinson. With plastic orchid, James collaboratively devises interdisciplinary work that focuses the body as a site of social commentary. James’ research and work have been supported by Opera Estate in Bassano Italy; Circuit-Est in Montreal; Centre Q and the National Arts Centre in Ottawa; Electric Company Theatre, The New Forms Festival, The Vancouver Art gallery and SFU Woodwards in Vancouver. In 2010, the late Lola Maclaughlin nominated James and his wife Natalie for the City of Vancouver’s Mayor’s Arts Award for Dance.

VANESSA GOODMAN

https://www.actionatadistance.ca/

Vanessa Goodman is a Vancouver-based dance artist who creates independently as Action at a Distance, is Co-Artistic Director of The Contingency Plan and is an artistic associate with Small Stage. She received her early training in Toronto from Canadian Children’s Dance Theatre, PBJ Dance Projects and Etobicoke School for the Arts. Vanessa holds a BFA from Simon Fraser University and continues her training locally and abroad, including intensives with the Batsheva Dance Company in Israel and the Hofesh Schechter Company in England. Vanessa was the recipient of the 2013 Iris Garland Emerging Choreographer Award from the Scotiabank Dance Centre which supported her first full-length work, “What Belongs to You”.

Independently she has interpreted works for Wild Excursions Performance (Conrad Alexandrowicz), Justine A. Chambers, Jennifer Clarke Projects, dumb instrument dance (Ziyian Kwan), the plastic orchid factory (James Gnam), Restless Productions (Claire French and James Maxwell), Mascall Dance (Jennifer Mascall), Julia Sasso, Holly Small and Judith Marcuse. Since 2006 she has been a company member with Dancers Dancing, where she has had the pleasure of working with artistic director Judith Garay and other prestigious Canadian choreographers.

Vanessa has been commissioned to create works for the Dancing on the Edge Festival, The Gwaii Trust, Vancouver Biennale and the SFU Dance Program (2010/11/13/15). Most recently her work has been presented locally and nationally by The Canada Dance Festival, The Magnetic North Festival, The Dance Centre, Dance in Vancouver, Dances for a Small Stage, The Firehall Arts Centre, The Modulus Festival, The Chutzpah Festival, The Shadbolt Centre for the Arts and Dance Allsorts. Vanessa has facilitated workshops and master classes throughout BC and in Toronto. She is also certified Method PMI Pilates instructor.

Orange Magpies Work in Progress
In collaboration with performer/choreographers James Gnam and Vanessa Goodman

VIDEO

01. Orange Suits Locations Sample
3:34 minutes long

02. Facade Fest sample –
5:56 minutes long
This is a work-in progress video of the projection mapping technique that will be projected onto the Vancouver Art Gallery in Sept 2017

03. Orange Suits Triptych
2:18 minutes long
Work-in-progress sample

Down

  1. Images

    1. 1
    2. 2
    3. 3
    4. 4

Top

  1. Videos

  2. 1
  3. 2
  4. 3

Top